DAN O'Connell
THEORY OF THE BALD-FACE LIE
I learned to lie from my father
the day all the Italians in the neighborhood
parked in front of our house,
leaned on Buicks and Caddies,
gold chains long as rosaries against white T-shirts
and three of them in immaculate black suits
rang fists on the frame of our aluminum screen door.
I’m so close to my father’s leg I could hug it
but don’t, because I shouldn’t.
“You threw a brick at my son’s car!”
the center man on our stoop shouted.
“No, I didn’t. Who are you?”
Denial, dead-pan anger, attack, the blueprint,
but I saw my father the night before
in his underwear and crucifix
hurling a red brick towards
the teenager’s muffler-less hotrod
drag racing dream stars,
saw the car swerve and steady itself, half-blind,
even before the incredulous:
“You could have killed him!
We live across the street!
You were in your boxer shorts!”
“Get off my property right now,”
my father spoketh
with teeth-tight punctuation,
improvising his part in the unfolding
morality play.
One evening the following week like
thunderclaps after lightening
all the windows in our cars –
two Fords and a Rambler –
were smashed with lead pipes and baseball bats
and my Dad snapped
out of sitcom and Guinness repose,
ran out of the house
and gave chase to a six-headed sedan,
flooring his Galaxy 500,
sitting on broken glass
in his boxer shorts.
SO ON VILLANELLE
Everything means nothing or too much.
The exclamation mark is obsolete!
And so on and so on and such and such.
Mood swings! Dance swings! Going dutch,
swaying between murder and kissing feet.
Everything means nothing or too, too much.
Broken vows! Pretty eyes! The failing clutch
will cost 600 bucks to replace. A dead parakeet!
And so on and so on and such and such.
Lust and fear, kiss here but don’t touch
there yet. God is alive. And the gamete!
Everything means nothing or way too much.
Secrets in the closet, flashlight in the hutch,
calculating life choices on a balance sheet.
And so on and so on and such and such.
If the house burns down, we’ll still eat lunch
later in the smoldering ash and heat.
Everything means nothing or too much.
And so on and so on and such and such.
Dan O’Connell is a four-time award winning poet, and multiple finalist and honorable mention. His poems have appeared over seventy times, including in Mississippi Review, Homestead Review, San Francisco Reader, Parthenon West Review, and most recently in America Magazine (Foley Poetry Prize, 2015), Big Bell Magazine (2016), and winning an Ina Coolbrith Poetry Prize (2017). A former philosophy and rhetoric professor, Dan has his own law practice with a focus on protecting the underdog, and teaches and writes about law. He is the author of two full-length collections of poetry: Different Coasts, and Theory of Salvation. Find Dan O. at www.danoconnellpoetry.com