Mary Crow


THEORY OF THE MAMMALIAN FIGURE

 

                                       Jylian Gustlin

                                     Jylian Gustlin

It has four legs, a long tongue, a snout.

Its sounds are made of mirrors that collect

into words, measurements, questions,

growls—its breathing difficult and cawing.

Its body tastes of salt, a book of rust,

when we meet it in its very own labyrinth,

smoking socket of wheatfield stubble.

There drought quickens a straddle 

of nightmare as a chink of light separates

myth from the reality of a girl on a bed—

the art of seeing! how to walk alone across

this country? dark animal eyes don’t choose.

If sex is what it wants, it wants, darkness

coming into its own, utter simplicity of lust.

Its steady will to be its very own self,

to project its own vision onto us, onto

the flat edge before the dropoff.


MICHELANGELO'S LAST PIETA, UNFINISHED

 

She doesn't cradle her son in her lap

but, standing, grasps him under his limp arms

while he almost slips from her grasp,

 

his long feet starting to buckle under, forearms

limp, his lower torso hidden by folds of a shroud,

she in her flowing robe and shawl--

 

two elongated marble forms a half millennium

old, new, she still mourning, this one detail

the sculptor hasn't changed his mind

 

about, not like the extra arm, perhaps his, with elbow

crooked and biceps not quite formed (never 

to be now) but chiseled off near the shoulder, 

 

while the two nod their heads bowed against

each other, eyes downcast and every line

of them flowing toward earth

 

in the pure white of their stone, unpolished,

on their pedestal in their own room

of the museum, she alone in her grieving,

 

he alone in his martyrdom, observed by

us, a line of tourists inching through

the Sforza Castle above the drained moats.


Mary Crow has published three chapbooks of poetry and three full-length books plus five volumes of poetry translation. Her awards include poetry fellowships from the National Endowment for the Arts and the Colorado Council on the Arts as well as three Fulbrights. For 14 years she served as Poet Laureate of Colorado. She is retired from the faculty of Colorado State University's creative writing faculty.